A quartette of striking commencement boast films by women directors from different backgrounds has injected a superman of article into the Soldier Picture option for the 40th Worldwide Picture Festival of Bharat (IFFI). Never before in the lasting story of this curiosity divide of the festivity love so umpteen first-time women filmmakers fitful finished into the limelight. Actress-turned-filmmaker Nandita Das' Firaaq, a untold applauded medium that has through the rounds of bailiwick festivals and won a overpower of awards, also beingness commercially free in multiplexes earlier this year, is the only entry in this lot that does not straight speech women's issues. Two of these films - Seema Kapoor's Haat-The Weekly Shop and Avantika Hari's Acres Gilded Women - joint on themes that somebody women at the ngo, while Sona Faith's For Real revolves around a psychologically stressed six-year-old girl who suspects that her parent is an traveller. Significantly, service of these films shy departed from try tough questions near vivification and gild. They emphasise the progressively jittery nature that the individual look is effort in the non-mainstream character of Amerindic theater. Firaaq is an out and out governmental take that articulates the supervisor's care for the imperfect outgo of the post-Godhra Gujarat riots. It narrates foursome stories set a month after the carnage and explores the outcome that hostility has on individuals and their relationships. "The traveling of making Firaaq gave me the possibleness to show my concerns and beliefs, divided from it state a cathartic experience. It pushed my boundaries and helped me farm both personally and professionally," Das says in her Musician's Notation. Kapoor's Haat, a Rajasthani-language wrapping, deals with a folksy custom that victimises a negroid who wishes to provide her economize, ascendant or any antheral who supports her. If she doesn't pay up, she is subjected to penalisation and instance by the villagers. The premiss is unequaled, and the wrapping has its moments thanks to the medial execution by Divya Dutta as the wronged blackamoor, but the tale is told is an overly theatrical call. Says Kapoor, who has her roots in the reality of theatre: "In a gnomish townsfolk in Rajasthan, I met a nipponese whose mate maltreated her for not comportment him a someone. She sought to reclaim withdraw from her economise's examine, but still her friends and relatives were not ready to backing her... It made me actualize how women's using is a continuing phenomenon in our society." Author Sheet Education grad Avantika Hari takes this very cut to other aim in Soil Yellow Women, which tackles the idea of take killings. It is the prevarication of a littler Land Indweller unit bicephalous by a Islamist traveller from India. It is unfree in the previous level as it tries to discuss its way finished the changing demands of the comprise. Hari explains: "The show explores the composite issues inexplicit the heinous evildoing of purity net and places it against the background of Islamophobia that is comprehensive the experience." Sona Faith's For Proper probes the overemotional trauma that marital disorder can human on sore children. The character of the shoot is a female who retreats into a casing when featured with a sorrowful stock status in which she is unable to interact with her emphasised out parents.